The film itself, however, points to a resolution of a very different nature, a resolution that, while unrealized, is obliquely alluded to by a small, but critical gap in the plot. To locate this absent presence, we must return briefly to the temple, and to the scene in which the entranced Jones prepares to sacrifice Willie. As the moment of doom approaches, the audience anticipates, because of the previous sacrifice, that he will be required to tear out her heart. We know that our hero can do no irreversible evil and so we eagerly await the moment of his release, expecting it to come through the woman. Yet neither Jones nor the priest reaches for her heart, and she is lowered into the pit with her breast untouched. Why? Here at this juncture, where the plot misses a step, the film betrays its ideological project by unintentionally allowing us a glimpse of an alternative resolution.
indiana jones and the temple of doom hindi
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